Grey, colorless, and at times very Gothic looking, this
Spanish thriller, A Bell from Hell, from director Claudio
Guerin Hill has an oppressive, gloomy undertone in its look and feel that, along with the story, feels like a melancholic reminder of a golden past: ruined, overtaken, and
killed by treachery and hypocrisy.
After being involuntarily committed to a
mental clinic for three years, John (Renaud
Verley) is released on probation and given a summons for his case coming up
in two months. At the start of his probation, he moves into his deceased
mother’s dusty old house, finds a brief job at a cattle slaughtering house, and
visits with his aunt, Marta (Viveca
Lindfors) and her three lovely daughters. Himself unsure if he’s insane, John
alludes to suspicions that his aunt paid a great deal of money to have him
committed in order for her to keep his inheritance. Amidst a rather carefree
lifestyle and a penchant for practical jokes, some of John’s activities
strongly suggest he’s planning something horrible as payback for what his
relatives supposedly did to him.
This is indeed a pleasing Spanish thriller. Though it adheres to the commonly
used plot devices of vengeance and family inheritance, the story is still well
written and kept interesting thanks to the quirky dynamics of the young, mischievous,
and darkly humorous protagonist, John. Whether or not viewers end up liking
him, John is still an entertaining, multidimensional character, a man-child
that’s part hero and part villain.