You might not know it from looking at the playful erotic
movie posters and DVD covers, but Simona
is no sex comedy. Though still playful and sexy in certain parts, Patrick Longchamps’ Fellini-inspired adaptation of the French novella Story of the Eye (1928) is a dark
oddity of avant-garde filmmaking, with a heavy undercurrent of social
alienation.
At the time the film was released its lead actress Laura
Antonelli had recently
achieved overnight fame from her award winning role in Salvatore Samperi’s sexy, controversial
dark-comedy Malizia (1973). She had
made such an impact that moviegoers flocked to see Antonelli in Simona,
which was actually shot about a year before Malizia (Simona was
shelved for a while before being released).
Simona was unfortunately confiscated in Italy for its explicit
content. One-time Belgian filmmaker Longchamps had a friend with connections in the
Vatican who organized a private screening of the banned film for four priests,
and after finally being approved by the church, Simona was released in Italy, where it made a lot of
money (the film was never released in its native country of Belgium). Eventually
the original film negatives were acquired by "distributors of ill-repute," and as it currently
stands, a properly restored version of Simona, as far as I know,
remains unrealized.