I’ve always considered Lucio Fulci’s The Beyond
to be the definitive Italian horror experience, and it’s the one I’d recommend
most, even over Suspiria, if anyone
ever asked me what a real good Italian horror is. No one ever has, though, and
most anyone remotely familiar with Italian horror already knows about The Beyond. When I first saw it, this
gross, gory but beautifully nightmarish picture had awoken something in me
that completely turned my attention to Italian horror, with an unwaning interest,
and it changed my previous negative opinion of Fulci’s Zombi 2 into an
entirely positive one.
Presently I can’t figure out why, but I had loathed Zombi 2 for quite some time, so when a
local theater that specialized in cult and independent cinema advertised a
screening of an old Zombie film, Lucio
Fulci’s The Beyond, I
immediately recognized the director and thought, “oh no, not that guy” (I was
severely of the uninitiated at the time). But, since I regularly attended the
weekly midnight screenings at this theater, I thought it’d be fun to go and
watch this movie in a dark room full of strangers and observe the general
response. Despite numerous riffing and laughter from the audience, there was
something about the film that entertained and terrified me. Those moments with
the grieving widow in the morgue and every time someone went into room 36
were real intense for me, and the scene with the blind ghost girl, Emily, surrounded
by the zombies from Hell gave me a nightmare that night. The characteristics of
The Beyond reminded me of Zombi 2, in a good way, and the gore, as
indicated by the screams and waves of laughter in the audience, was a real
crowd pleaser.