“Now I have you with me, under my power. Our love grows stronger now with every hour. Look into my eyes, you will see who I am. My name is Lucifer, please take my hand.” – Black Sabbath
When Satan comes to town, he sets his sights on the biggest catch in The Devil’s Lover, or my personal favorite alternate title Lucifera: Demonlover.
I don’t know why, but it’s taken me many years to revisit this Italian gothic horror. The last time I watched it was in 2009 when I picked up the pan-and-scan Mya DVD. Despite the poor picture quality, I was happy to have it, as I probably wouldn’t have ended up knowing about it otherwise, but I am surprised the film never had an upgrade since. As far as I can tell, the only way to see it in 2022 is still as a censored and murky full screen film [Update (December 2023): Severin has released this film on Blu-ray uncut and restored in Volume 2 of their amazing Danza Macabre Italian gothic horror boxsets].
Even though it was restrained, my fondest memory of this film was the grand love scene between a nude Rosalba Neri and a clothed, caped Devil figure, played by Edmund Purdom. I was in awe at the visual of Rosalba’s sideways lying profile figure that was partially shrouded by the devil’s cape as he embraced her. It certainly has the same kind of energy as the classic reclining nude paintings, such as La Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres or The Rokeby Venus (1647-1651) by Diego Velázquez.