"The sun shining in my dreams
The light is getting hot
Saved by eternity
I have seen death so close
Away, awhile the angels crossed the sky
But I'm condemned to stay here." -- Heavenly
In his memoirs, Paul Naschy said he had referred Argentine film directing stalwart Leon Klimovsky to be director of his seminal Spanish horror classic La noche de Walpurgis, AKA The Werewolf Versus the Vampire Woman (1971), because one of the film’s financers wanted a quick and reliable director.
It would seem that Klimovsky was known for his fast shooting and workmanlike skills, and yet he managed to direct some real atmospheric classics of Spanish horror, often on low budgets and high pressured shooting schedules, and he introduced an oft-imitated technique of filming vampires and zombies in slow-motion, capturing a uniquely nightmarish plane of existence in the process.
Klimovsky’s vampire films are exceptional and interestingly varied, and they belong alongside the best of Jess Franco and Jean Rollin. The aforementioned The Werewolf Versus the Vampire Woman was a record breaking box office success that revived the Spanish horror fantasy genre. The other Klimovsky directed vampire films that followed were the epic The Dracula Saga (1973), the more grindhouse flavored The Vampires’ Night Orgy (1974), and the romantic, adventurous, and somewhat eclectic Night of the Walking Dead / The Strange Love of the Vampires, the topic for tonight
The light is getting hot
Saved by eternity
I have seen death so close
Away, awhile the angels crossed the sky
But I'm condemned to stay here." -- Heavenly
In his memoirs, Paul Naschy said he had referred Argentine film directing stalwart Leon Klimovsky to be director of his seminal Spanish horror classic La noche de Walpurgis, AKA The Werewolf Versus the Vampire Woman (1971), because one of the film’s financers wanted a quick and reliable director.
It would seem that Klimovsky was known for his fast shooting and workmanlike skills, and yet he managed to direct some real atmospheric classics of Spanish horror, often on low budgets and high pressured shooting schedules, and he introduced an oft-imitated technique of filming vampires and zombies in slow-motion, capturing a uniquely nightmarish plane of existence in the process.
Klimovsky’s vampire films are exceptional and interestingly varied, and they belong alongside the best of Jess Franco and Jean Rollin. The aforementioned The Werewolf Versus the Vampire Woman was a record breaking box office success that revived the Spanish horror fantasy genre. The other Klimovsky directed vampire films that followed were the epic The Dracula Saga (1973), the more grindhouse flavored The Vampires’ Night Orgy (1974), and the romantic, adventurous, and somewhat eclectic Night of the Walking Dead / The Strange Love of the Vampires, the topic for tonight