I first saw Horror
Rises from the Tomb many years ago (around 2003) as part of a four movie
bargain set of zombie movies, and my initial thoughts were, “too slow and not
enough zombies.” I had no idea who Spanish filmmaker Paul Naschy was at the time, nor would I have probably cared. I was
disappointed I didn’t get the zombie movie the misleading box cover promised. I
then cast it aside as an irrelevant film that was best forgotten. (Boy is
adult-me really annoyed at teenage-me right now.)
In the midst of my giallo collecting craze around 2008, I eventually came upon a Naschy thriller called Blue Eyes of the Broken Doll (1974). Needless to say, I dug it and finally became interested in director/writer/actor Paul Naschy. My next Naschy film was Human Beasts (1980), which to me was an even greater experience. Then, after having fun with a couple of Naschy’s werewolf movies, I thought, despite my disconcerting memories of the film, I’d give Horror Rises from the Tomb another go with a new perspective as a Naschy fan and without my zombie film bias.
In the midst of my giallo collecting craze around 2008, I eventually came upon a Naschy thriller called Blue Eyes of the Broken Doll (1974). Needless to say, I dug it and finally became interested in director/writer/actor Paul Naschy. My next Naschy film was Human Beasts (1980), which to me was an even greater experience. Then, after having fun with a couple of Naschy’s werewolf movies, I thought, despite my disconcerting memories of the film, I’d give Horror Rises from the Tomb another go with a new perspective as a Naschy fan and without my zombie film bias.