Being a conversation heavy drama mystery with a bit of a dreamy languor
about it, Love and Death in the Garden
of the Gods may require a little focus from viewers if they hope to get
absorbed in its compelling story, beautiful scenery, and tragic characters, but
it is worth it. The plot is more or less structured to be an exploration of a
hazy backstory that slowly crystalizes before eventually catching up with the
present.
The film is directed by Sauro
Scavolini, a prolific screenwriter (All
the Colors of the Dark, amongst many others) with few directing credits. He
is the brother of director Romano
Scavolini (Nightmares in a Damaged
Brain), who also helmed cinematography for Love and Death in the Garden of the Gods.
The story is fed to us in fragmented bits and
pieces from an inquisitive Professor of ornithology (Franz von Treuberg), restoring and listening to a heap of tangled
audio recording tape he discovered in the forest
outside the villa he’s rented to study the non-indigenous birds of the region. As
the Professor listens to the tape recordings, the film cuts to flashbacks of
the previous inhabitants of the villa, making the place seem haunted by a past
that is both alarming and fascinating. While the past is the primary setting of
the story, the film still emphases events in the present, particularly the
relation between the professor and the seedy estate administrator, Dominici (Vittorio Duse), giving the Professor
dimension and making him more than just an avenue of backstory disclosure.