When looking over the lengthy cycle of mummy movies, one in particular often goes heavily unmentioned, and that’s Spanish actor, filmmaker Paul Naschy’s take on the mummy myth, The Mummy’s Revenge / La venganza de la Momia.
Being somewhat of a tragic love story, The Mummy’s Revenge is rather faithful to the original Universal film and is also easy to compare to the 1959 Hammer reboot as well. What sets The Mummy’s Revenge apart is that it’s a Paul Naschy film, meaning it’s going to be a little more erotic, a little meaner, more fearsome, more violent, and more personal. There is also a sadomasochistic element too, with a number of maidens strung up for both amusement and sacrificial purposes.
The film is directed by Carlos Aured and is written by and stars Naschy. It is one of four collaborations between Naschy and Aured, with the other three being the seminal Horror Rises from the Tomb (1972), part of the Waldemar Daninsky Werewolf cycle Curse of the Devil (1972), and the Spanish giallo Blue Eyes of the Broken Doll (1973). The Mummy’s Revenge is Naschy’s second, and more focused, take on the mummy, as the creature did appear in Naschy’s horror/sci-fi monster mashup Assignment Terror (1970), along with aliens, the werewolf, Frankenstein's monster, and Dracula.