Pupi Avati’s Zeder has been an odd enigma of an Italian horror film to me. I’m not really sure what it is trying to do, but its mystique a...

I first saw Horror Rises from the Tomb many years ago (around 2003) as part of a four movie bargain set of zombie movies, and my initial...

City of the Living Dead is part of a high point in Lucio Fulci’s career that would make him synonymous with gore, zombies, and splatter a...

I used to not be able to stomach gory zombie films very well. Despite being excited and thoroughly fascinated after watching zombie films ...

I’ve always considered Lucio Fulci’s The Beyond to be the definitive Italian horror experience, and it’s the one I’d recommend most, eve...

I think It’s been too long since I last covered a Paul Naschy movie, and to make up for this, I’ve chosen to cover one of the best and ea...

My contribution to Month of the living Dead over at Blood Sucking Geek is an article for my favorite zombie film. Head over to read wh...

One can't help but wonder what cemetery watchman Francesco Dellamorte ( Rupert Everett) would have had to of done in his past life t...

If a zombie is supposed to be a degraded form of pure motorized instinct to carnivorously feed, why do they still have the ingenuity to us...